CURRENT & UPCOMING
Diagonal
Knitting. Book to be published by Schoolhouse Press. 2009.
Year
of Wool. Knitting & spinning tutorials, 5th & 6th
grade. Friendship Village School. Friendship, ME. Maine Community
Foundation grant. January-December, 2008.
Workshop.
Friendship Spinners. Shakertown, Kentucky. June 13-15, 2008.
Beyond
Knitting: Uncharted Stitches. Invitational exhibit.
San Jose Museum of Quilts and Textiles. Making Room, Mime for
the Gulf War Birds, Portrait of Alzheimers. San Jose, CA. June
17-August 24, 2008.
Elementary
school knitting project.
Haystack Mountain School of Crafts. Deer Isle, ME. Fall, 2008.
SOLO SHOWS &
AWARDS
Maine
Fiberarts. Topsham, ME. ‘Clothing as Sculpture’.
Invitational show. Jan- Feb, 2005
Colby
College Museum of Art. Invitational Show. ‘Envision’.
Waterville, ME. December 7, 2003 - January 25, 2004.
Center for Maine Contemporary Art. 50th Anniversary
Exhibition of Distinguished Artists. Slick, installation.
August 10-October 5, 2002.
Houston Center for Contemporary Crafts. Solo Show:
‘Katharine Cobey - Fiber Sculpture’. Boat with Four
figures and other pieces. Houston, TX. January 18 - April 7,
2002.
City Hall Rotunda, Portland, Maine. Ritual
Against Homelessness. May, 1999.
The Textile Museum. Washington, DC. At ‘Celebration’.
1992.
The Textile Museum. Washington, DC. Dream Shelters,
installation. 1990.
Torpedo Factory Art Center. ‘Art in Public
Spaces’. Dream Shelters, installation. 1989.
Capital Children’s Museum. Washington, DC.
Artist in Residence and Exhibition. 1989.
Contemporary Works of Faith. Columbus, OH. Best of Show.
Ritual Against Homelessness.1995.
Artist of the Year. Friends of the Torpedo Factory. Juror,
Jeremy Adamson, Curator, The Renwick Gallery, Smithsonian Museum.
Alexandria, VA. 1992.
INVITATIONAL EXHIBITS AND JURIED SHOWS
Chandler Arizona Sculpture
Walk. Vision Gallery. Mirage. Installation.
September 1 – December 30, 2007.
Center
for Maine Contemporary Art. Rockport, ME. ‘Work of
the Hand’. Invitational show. Six pieces. October 5- 14, 2007.
Fiber
International 2007. Lancaster
Museum of Art. Lancaster, PA. Juried by Gail Brown.To Shine. Installation.
August 4 – September 9, 2007.
Ohio
Craft Museum. Columbus, OH. 'Trashformations'. Invitational
Show. Danger Dress. February 10 - April 5, 2007.
Kohler
Arts Center. 'Ready to Wear', invitational show. Mirage,
Makeshift, Slick. October 3-January 30, 2005.
Farnsworth Museum. Rockland, ME. 'Uncoverings',
invitational show. Boat With Four Figures, Making Room, Empty-headed.
September 19-February 20, 2005.
Maine Fiberarts, clothing as sculpture show.Jan- Feb 2
2005.
Art Gallery of the University of New England. Invitational
Show. 'Envision'. Portland, ME. February 3 – March 20. 2004.
Kerrigan-Campbell Gallery. Invitational show. 'Winter
solace'. New York, NY. December 18-February 1, 2004.
Hay Gallery. ‘Fiber as Sculpture’.
Invitational exhibit. Portland, ME. May 5-30, 2004.
Zoellner Arts Gallery, Lehigh University. ‘Natural
Elements: sculptural expressions’. Invitational show. Boat
with Four Figures, Danger Dress, and Loose Ends. Installations.
July 31 - October 6, 2002.
University of Southern Maine. ‘Transformations’.
Invitational show. September 4 - December 14, 2002.
Nike Design Library. Beaverton, OR. Pretenses
and Slick, installations. June-August, 2001.
Traveling Exhibit. Ten American art museums. ‘Trashformations’,
curated by Lloyd E. Herman. Loose Ends, mobile. 1997-2001.
Flinn Gallery. Greenwich, CT. Mirage.
Mobile. December, 2000.
Gallery of the University of Southern Maine. ‘The
Inspired Hand’. September-October. 2000.
ARTcetera 2000. Boston, MA. Comic Strip.
Mask. October, 2000.
Wall Street Viewing Room. New York, NY. Danger
Dress and Mirage. May-June, 2000.
Portland Museum of Art. Portland, ME. Boat
with Four Figures, Portrait of Alzheimer’s,
Mirage. Spring 1999.
Maine Fabric & Fiber Festival. Fashion Show.
Five Headdresses. Portland, ME. 1999.
Target Gallery. Alexandria, VA. Three person show
& gallery talk. 1998.
Gallery K. Washington, DC. ‘Fashion Happening’.Mirage.
Curator, Alice Denny. 1998.
Breaking Patterns: Contemporary Handknitting in the United
States. Prince Georges County, MD. Danger Dress,
mobile. 1997.
Bumbershoot 1997 ‘Fresh Clothes’. Bumbershoot,
CA. Curated by Lloyd E. Herman. Loose Ends, mobile.
‘Designed to Wear’. Portland, Oregon.
Two pieces. 1993.
‘Convergence’. Washington, DC. Conference
of the Handweavers Guild of America. Fall, installation. Pieces
in the Political show, Teachers’ show, and Spatial Expressions.
1992.
TEACHING, TALKS & DEMONSTRATIONS
Association of American University Women. Rockport,
ME. ‘Betty Friedan and Knitting’. Lecture. October 17,
2007.
Split
Rock Arts Program, University of Minnesota. St. Paul, MN.
‘Knittting, a Different Slant’. Workshop. July 15 –
21, 2007.
Haystack
Mountain School of Crafts. Deer Isle, ME. ‘Knitting,
a sculptural skill’. Workshop. June 3 – 17, 2007.
Costume
Design Classes. Vinalhaven, ME. Vinalhaven High School.
February, 2006.
Fuller
Craft Museum. Brockton, MA. Lectures. Sculptural Knitting
and Craft and Issues. March 8, 2006
Peters
Valley Craft Education Center. 'Sculptural Knitting'.
Class. June 17-23, 2005.
Surface Design International Conference. Kansas
City. Diagonal Knitting workshop. May 29-June 1, 2005.
Peabody Essex Museum. Textile Art Symposium. Guest
presenter. Salem, MA. September 30-October 4, 2004.
Maine College of Art. Continuing Studies Program.
'Sculptural Knitting'. Class. September-October, 2004.
Kentucky Guild. 'Knitting Clothing, a three-dimensional
pleasure'. Workshop. June 2004.
Memphis Knitting Guild. Workshop. ‘Knitting,a construction
skill’. Memphis, TN. March, 2004.
Maine College of Art. Course. ‘Sculptural
knitting’. Portland, ME. Sept.9-Oct. 21, 2003.
Haystack Mountain School of Crafts. ‘Knitting, a
sculptural skill.’ Class. August 17-29, 2003.
Penland School of Crafts. ‘Knitting, A Sculptural
Technique’. Workshop. June 8-20, 2003.
Design Study Groups. Monthly sculpture & knitting
seminars. Cushing studio. 1992-02.
Textile Study Group of New York. Lecture. November
20, 2002.
Haystack Mountain School of Crafts. Design Knitting Workshop. October
11-14, 2002.
Haystack Mountain School of Crafts. Design Knitting
Workshop. October 11-14, 2002.
Houston Center for Contemporary Crafts. ‘Knitting
-A Different slant’. Workshop. January 2002.
Boston Knitters Guild. Lecture & exhibit: ‘Knitting
Mavericks’. May, 2000.
Morris Farm. Workshops. Wiscasset, Maine, 2000,
2001, 2002, 2003.
Green Mountain Spinnery. Putney, VT. Three day
workshop. Fall, 1999.
Maine Fabric & Fiber Festival. Portland, ME.
‘Knitting Structure’. Workshops. 1999.
Target Gallery. Alexandria VA. Knit-in & gallery
talk. 1998
Lectures & workshops for schools and guilds (‘Good
Bread, Great Plastics’, ‘Authors & Authority
in Knitting’, ‘Knitting Sculpture’). 1988-present.
Women’s Caucus For Art. Philadelphia. Producer,
moderator, panelist: ‘The Medusa Project’. 1997.
Women’s Caucus for Art. Boston, MA. Panelist: ‘Sources
of Inspiration’. National Conference. 1996.
Maine Public Radio. ‘Maine Things Considered’.
Interview by Charlotte Renner. June, 1995.
Torpedo Factory Art Center. Juried demonstration
studio. Alexandria VA. 1985-1992.
‘Convergence’. Washington, DC. ‘Spinning
with a Navajo Spindle’. Workshop & demonstration. 1992.
PUBLICATION
Fiberarts Design Book 7. Boat with
Four Figures, Throw Caution to the Winds.
Casting
off Convention. Article.
Bangor Metro Magazine. May, 2007.
Fiberarts.
Article. 'Furthering your fiber education’. September-October
2003.
Surface Design. Article by Christine Macchi: ‘Artist,
Sculptor, Inventor, Knitter’. Spring, 2002.
Catalog. ‘Katharine Cobey Fiber Sculpture’.
Houston Center for Contemporary Crafts. 2002.
Interweave Knits. Article by Melanie Falick:
‘Scarlet Gown’. Summer, 2001.
A Gathering of Lace. Ed.
Meg Swanson, XRX Books. Gallery Section. Mirage. Mobile. 2001.
www.katharinecobey.com. Website. Cathy Emery. 2001
Fiberarts. Profile. March. 2000.
Interweave Knits. Article: ‘Cobweb
For Emily’. Winter. 1999.
Knitting in America by Melanie Falick, Artisan Press.
Featured artist. 1996.
Trashformations: Recycled Materials in Contemporary
American Art and Design. by Lloyd E. Herman, University
of Washington Press. Featured artist. 1998.
Maine Times.’ ‘Favorite Artists
poll’. Summer. 1998.
Spin Off. Article: ‘In Our Own Hands’.
Spring. 1994.
Monograph. ‘Spinning With a Navajo Spindle’.
For ‘Convergence’. Washington, D.C. 1992.
AFFILIATED ORGANIZATIONS
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